Uncomfortable Brunch

The Night Porter

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In this unsettling drama from Italian filmmaker Liliana Cavani, a concentration camp survivor (Academy-Award® nominee Charlotte Rampling, 45 Years) discovers her former torturer and lover (Dirk Bogarde, Death in Venice) working as a porter at a hotel in post-war Vienna. When the couple attempt to re-create their sadomasochistic relationship, his former SS comrades begin to stalk them. Operatic and disturbing, The Night Porter deftly examines the lasting social and psychological effects of the Nazi regime.

 

An Italian socialist, best known at the time for her four-hour television documentary, History of the Third Reich (1962–63), Cavani’s intentions were far more psychological than sensational. Although The Night Porter was professed “The Most Controversial Picture of Our Time”, feminist readings often frame the film as an examination of womanhood shaped under patriarchal violence, the long shadow of trauma, and the ways victims may internalize or repeat the structures imposed upon them. Lucia’s choices, however troubling, are portrayed as shaped by a world that gave her little agency both during and after the war.

 

Despite (or because of) its controversy, the film became a cult and critical touchstone, influencing later films dealing with trauma, coercive relationships, and historical memory. Its iconic imagery, complex performances, and refusal to simplify victim/perpetrator dynamics have ensured its ongoing relevance, even as it remains one of the most debated works in European cinema.


1974, 118 minutes, Italy/France, In English, German ,and Latin, Directed by Liliana Cavani, Rated R

“Fascism is not only an event of yesterday.… It is with us still, here and elsewhere. As dreams do, my film brings back to the surface a repressed ‘history’." 
– Liliana Cavani, DIRECTOR

 

“A compelling and disturbing testament to the enduring power of evil and the complexity of human nature.” 
– Sam Jordison, FILM4

 

“The Night Porter depicts not only the political continuity between wartime Nazism and 1957 Austria, but also the psychological continuity of characters locked into compulsive repetition of the past.” 
– Annette Insdorf, THE CRITERION COLLECTION

 

“Cavani’s film is a hyper-pastiche, fluidly operating in multiple genre traditions (melodrama, political thriller, sexploitation, historical epic) without becoming mere allegory or mishmash, a slipperiness that continues to mystify and infuriate audiences. “ 
– Kerosene Jones, MUBI