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In January 1972, Queen of Soul—then 28-year-old—Aretha Franklin was at the top of her game, having racked up eleven number-one singles and five Grammys. For her next record, she returned to her roots, recording a live gospel album at Watts New Temple Baptist Church. Director Sydney Pollack (They Way We Were) was hired to shoot the performances, but due to sound issues, the footage couldn’t be synced with the audio, and it vanished into the studio’s vaults, deemed unsalvageable. It became the Holy Grail of lost music films and finally, in 2018, 46 years of legal wrangling, technology improvements, and the deaths of both Pollack and Franklin, these magnificent performances were readied for the screen.
Amazing Grace is an extraordinary document. The Queen herself is totally focused—delivering uncluttered, thrilling performances of gospel standards and reimagined contemporary songs. Except for her singing, she remains nearly wordless throughout the film. Instead, gospel legend Reverend James Cleveland serves as M.C., sermonizer, and court jester. An enthusiastic congregation testify throughout, and Aretha’s father—Revered C.L. Franklin—shows up to preach the good book and wipe sweat from his daughter’s forehead mid-song. At that moment, the audience knew that the Queen of Soul—despite her stardom in the secular world—remained first and foremost a child of the church.
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2018, 87 minutes, USA, Directed by Alan Elliot and Sydney Pollack, Rated G
“A powerful love letter to the Black Church, offering a soul-shaking introduction for the unfamiliar and a grandmotherly yank of the arm for those who know—it drags you from the theater straight into the pews.”
– Odie Henderson, ROGEREBERT.COM
“Amazing Grace shows us an artist at the peak of her powers.”
– Moira Macdonald, THE SEATTLE TIMES
“A showcase of one of America’s greatest talents and a rush of pure spiritual uplift. There are only so many ways to praise Franklin’s voice and they all fall short – just go and hear it for yourself.”
– Joe Blessing, THE PLAYLIST
“One of the great performances of the 20th century.”
– Vikram Murthi, THE A.V. CLUB
“A movie worth seeing and re-seeing and re-seeing again.”
– Dan Callahan, THE WRAP
“Listening to Franklin, you feel like you could ride that voice into the heavens. She’s not just a singer, she’s a human chariot.”
– Owen Gleiberman, VARIETY