Dive into the magic of cinema with the Enzian Film Club! Join us for an enriching experience where film enthusiasts and novices alike can explore classic films in a new light. Each session features a short presentation by esteemed professors from local colleges, followed by collaborative discussions that bring fresh insights and foster a deeper appreciation for the art of filmmaking. Part of our Saturday Matinee Classics series, the Enzian Film Club is your gateway to understanding and enjoying timeless cinematic masterpieces in a vibrant, community-focused setting.
Featuring an Enzian Film Club discussion on “Camera Movement” by Barry Sandler from the University of Central Florida!
In Alfred Hitchcock’s chamber-masterpiece, based on the infamous Leopold and Loeb murder, Brandon (John Dall, Spartacus) and Philip (Farley Granger, Strangers on a Train) are two young men who share a New York City apartment. They consider themselves intellectually superior to their friend David Kentley, and as a consequence, decide to murder him. Together they strangle David with a rope and, after placing the body in an old chest, they proceed to hold a small party. The guests include David’s father, his fiancée Janet, and their old schoolteacher Rupert (James Stewart), from whom they mistakenly took their ideas. As Brandon becomes increasingly more daring, Rupert begins to suspect.
About the Speaker: With BA and MFA Film degrees from UCLA, Barry Sandler has written screenplays for numerous motion pictures, including the transgressive psychosexual cult classic CRIMES OF PASSION (New World/Orion/ Kathleen Turner, Anthony Perkins/dir. Ken Russell) THE MIRROR CRACK’D (EMI/Elizabeth Taylor, Rock Hudson, Tony Curtis, Kim Novak, Angela Lansbury/dir. Guy Hamilton), EVIL UNDER THE SUN (Universal/Peter Ustinov, Maggie Smith, James Mason, Diana Rigg/dir. Guy Hamilton), THE DUCHESS AND THE DIRTWATER FOX (20th Century Fox/Goldie Hawn, George Segal/dir. Melvin Frank), THE OTHER SIDE OF MIDNIGHT (20th Century Fox/Susan Sarandon, Marie-France Pisier/dir. Charles Jarrott), GABLE AND LOMBARD (Universal/Jill Clayburgh, James Brolin/dir. Sidney J. Furie), ALL-AMERICAN MURDER (Trimark/ Christopher Walken, Charlie Schlatter/dir. Anson Williams), THE LONERS (Fanfare/Dean Stockwell, Gloria Grahame/dir. Sutton Roley), THE VALLEY (Lagoon/Gerard Depardieu/dir. Barbet Schroeder) , EVIL NEVER DIES (Warner Bros/Katherine Heigl, Thomas Gibson/dir. Uli Edel), KANSAS CITY BOMBER (MGM/Raquel Welch, Jodie Foster/dir. Jerrold Freedman), and the groundbreaking landmark film MAKING LOVE (20th Century Fox/Michael Ontkean, Harry Hamlin, Kate Jackson/dir. Arthur Hiller), the first major studio film to present a positive portrayal of LGBTQ men and women.
In 2002, Sandler was named by The Advocate as one of the most influential gay artists in America.
Since 2003, in addition to screenwriting, Sandler has been on the faculty of the University of Central Florida, where he teaches Feature/TV Writing and Film history in the Film Program of the Nicholson School of Communication and Media.
On June 23, 2022, the Academy of Motion Picture Arts and Sciences held a special 40th anniversary event screening of MAKING LOVE, celebrating the film’s role in LGBTQ cinematic history and the positive impact it has had and continues to have for LGBTQ people around the world. The screening was followed by a panel discussion with Sandler. Scott Berg and Harry Hamlin on the film’s historical and cultural significance.
1948, 80 minutes, USA, Directed by Alfred Hitchcock, Unrated
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“One of the cinema's supreme, most outrageously eccentric and audacious technical experiments: the legendary single shot movie.”
– Michael Wilmington, CHICAGO TRIBUNE -
“Rope is not merely a stunt that is justified by the extraordinary career that contains it, but one of the movies that makes that career extraordinary.”
– Vincent Canby, THE NEW YORK TIMES -
“There are hints in this 1948 film of the perversity that will yield Psycho, Strangers On A Train, Vertigo and Rear Window, so it's a must for Hitch collectors.”
– David Parkinson, EMPIRE -
“It grips the audience from the very beginning, and it radiates the same morbid cleverness that would define Hitchcock’s later films.”
– Diana Tuova, SPOTLIGHT ON FILM