“Walk into a Dream”: The Films of David Lynch
“Film exists because we can go and have experiences that would be pretty dangerous or strange for us in real life. We can go into a room and walk into a dream. If we didn’t want to upset anyone, we would make films about sewing, but even that could be dangerous.”  – David Lynch

David Lynch’s art taps into a deep human fascination with the surreal and the psychological. His talent for transforming the everyday into something eerie, for weaving emotion into his strange landscapes, and for exposing the darker side of suburban life resonates universally, connecting with audiences across cultures and generations in ways few filmmakers achieve.

From teenagers to octogenarians, Lynch’s fanbase spans generations. His loss will leave an irreplaceable gap in the world of cinema. We invite you to join us in celebrating the life, legacy, boundless imagination, and singular voice of David Lynch.

Lost Highway:

“We’ve met before, haven’t we?”

In a surreal, suspenseful web of intrigue, Lynch fashions two separate but intersecting stories, one about a jazz musician (Bill Pullman), and the other about a young mechanic (Balthazar Getty). Unexplainable occurrences swirl around this LA neo-noir, as Fred Madison (Pullman) starts to receive anonymous VHS tapes of him and wife Renee (Patricia Arquette). At a party, a mysterious man (Robert Blake) claims to have met him before, setting off a nightmarish chain of events involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation.