La Haine - Enzian Theater

Loading Events

***WINNER – Best Director – 1995 Cannes Film Festival
***NOMINEE – Palm d'Or – 1995 Cannes Film Festival

Enzian Film Club: Summer School Edition
Summer school is in session! Our Enzian Film Club professors are on a well-deserved vacation, but you’ve still got a lot to learn. Join us June–August for screenings and talkbacks with Enzian programmers and community guests, and keep your brain (or at least your social skills) sharp until our return to class in September. It might not be Driver’s Ed, but it’s better than independent study.

30th Anniversary Screening!

Mathieu Kassovitz took the film world by storm with La Haine, a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically the low-income banlieue districts on Paris’s outskirts. Aimlessly passing their days in the concrete environs of their dead-end suburbia, Vinz (Vincent Cassel), Hubert (Hubert Koundé), and Saïd (Saïd Taghmaoui)—a Jew, an African, and an Arab—give human faces to France’s immigrant populations, their bristling resentment at their marginalization slowly simmering until it reaches a climactic boiling point. A work of tough beauty, La haine is a landmark of contemporary French cinema and a gripping reflection of its country’s ongoing identity crisis.

1995, 98 minutes, France, Directed by Mathieu Kassovitz, Not Rated

  • “Hate is a blast of movie outrage, a genuine shocker.”

    – Michael Wilmington, CHICAGO TRIBUTE
  • “La Haine builds to a shocking finale, but it's mostly composed of thrillingly unpredictable scenes of the boys hanging out, spitting rapid-fire dialogue loaded with pop-cultural references and chest-thumping braggadocio.”

    – Scott Tobias, A.V. CLUB
  • “One of the most blisteringly effective pieces of urban cinema ever made.”

    – Wendy Ide, TIMES UK
  • “Mathieu Kassovitz's Hate is an extremely intelligent take on an idiotic reality: the mutual mistrust, contempt and hatred between the police and France's disenfranchised young citizens.”

    – Lisa Nesselson, VARIETY
  • “Hate is, I suppose, a Generation X film, whatever that means, but more mature and insightful than the American Gen X movies. In America, we cling to the notion that we have choice... In France, Kassovitz says, it is society that has made the choice.”

    – Roger Ebert, CHICAGO SUN-TIMES
Upcoming Programming Upcoming Special Programs Upcoming Programming